http://www.markcameronboyd.com/installations-1 daily 0.75 2022-07-16 https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1533065157223-Z0S9P4HA9Z3MVAVXSV4B/MCB-Reflections.jpg Installations https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1533401143499-EC9ASS78MNLP8CQS9PPM/Logocentric-Katzen-ext.jpg Installations Logocentric Playground; 2006; blackboard paint; chalk, pastel, pencil on three birch panels; approximate dimensions: H48"xW252" Participatory installation at American University Museum at Katzen Arts Center, Washington, DC. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1376954899868-USJLZE1LPPUC7MFJ8AGN/Logocentric-Katzen-ext.jpg Installations Logocentric Playground; 2006; blackboard paint; chalk, pastel, pencil on 3 birch panels; approximate dimensions: H48"xW252" Installation at American University’s Katzen Arts Center. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042110289-OUMIII30JRC4LAZF0HP3/LOGOCENTRIC+233.jpg Installations Logocentric Playground: The Subject; 2006; blackboard paint; chalk, pastel, pencil on birch panel; H48"xW69" (View on Nov. 13, first day of installation.) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042059737-DIC0ZZX1MN1NQL5J507K/LOGOCENTRIC+257.jpg Installations Logocentric Playground: The Subject; 2006; blackboard paint; chalk, pastel, pencil on birch panel; H48"xW69" (Beginning of public interaction: “Where’s the beef…”) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377041954518-2ORZ0GLQ7E0K712XXW26/Picture+002.jpg Installations Logocentric Playground: A Sign; 2006; blackboard paint; chalk, pastel, pencil on birch panel; H48"xW69" (Museum visitor interacts with installation.) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042011913-ZEVLOSEHD5ZFULL7ODSY/Picture+074.jpg Installations Logocentric Playground: The Collection; 2006; blackboard paint; chalk, pastel, pencil on birch panel; H48"xW69" https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042110248-7QQJK9CDSZXBTUSRLD6T/LOGOCENTRIC+249.jpg Installations Logocentric Playground: A Sign; 2006; blackboard paint; chalk, pastel, pencil on birch panel; H48"xW69" https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1378522929331-RWB19QR849I1ASJ4ISZI/song-for-europe-de-magistro-latin-blackboard-paint-pastel-and-pencil-on-mdf-31-x48-diptych-2008.jpg Installations Song for Europe: De Magistro (Latin); blackboard paint, pastel, pencil on MDF; H31"xW48" (diptych) Participatory installation at The Athenaeum in Alexandria, Virginia. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1378522895684-48DX9HNP0QWIQ6R1JXP5/Proof1.jpg Installations MCB creates A Postmodern Meditation on the Five Proofs of God: Quinque viae (Proof 1) with art students from Catholic University of America directly upon a wall in Salve Regina Gallery; November 2010. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042846668-7ADXZL1M9E77RAO696U7/DSC01603.JPG Installations Gallery visitor interacts with Quinque viae (Proof 1) during opening reception in Salve Regina Gallery; November 2010. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042772891-PCRC3LG7143XTTTDS3CS/DSC01609.JPG Installations Gallery visitors interact with Quinque viae (Proof 3) during opening reception in Salve Regina Gallery; November 2010. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042845752-YZK3868GKZPIEHHNO5SM/DSC01589.JPG Installations Quinque viae (Proof 4); acrylic, blackboard paint, mirror, pastel, pencil; H24”xW48”; 2010. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042848322-MODSHP81JRTEYWB01ZOK/DSC01611.JPG Installations Gallery visitor interacts with Quinque viae (Proof 4) during opening reception in Salve Regina Gallery; November 2010. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1378523472390-9TE7OGP16PQL4GZT9XZV/MCB-Artwork-014.jpg Installations Quinque Viae: Proof 5 (membrana), 2010, acrylic with ink marker on layered Plexiglas, H30xW30” https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1377042846563-9VONIPG7G4310EDQ3HOA/DSC01600.JPG Installations Gallery visitor interacts with Quinque viae (Proof 5) during opening reception in Salve Regina Gallery; November 2010. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1378523364861-R0ZBBPGQIO0BHTZQ2G59/_MG_2390.JPG Installations Gallery visitor interacts with Welcome, reader! during opening reception for “Postconceptualism: The Malleable Object” that Boyd curated for University of Maryland’s Stamp Gallery; 2011. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1378522929468-RGQBYSM6EWZJ2R6E34OP/stanback01.jpg Installations Face Values opening at Studio 1469, Washington, DC; pens, photographs, post-it notes; dimensions variable, 2013. “A participatory art event organized by Boyd in collaboration with Corcoran College of Art students from his “Art as Social Practice” course. Students photographed random people in urban environments & at the event the participant subjects & the public may post comments on the photographs & what they suggest or reveal about the person. The event seeks to initiate conversations about social identity, stereotypes, the way we present ourselves & how others see us.” https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1533183496828-PIJJN9VEUGXD5XG7HOFM/REFLECTIONS-large+2015.0576.jpg Installations Participatory Installation: Reflections On Diversity; blackboard paint, chalk, pastels, pencil on birch; diptych: H48”xW144”; 2016 (Collection of S. Fitzgerald Haney; San Jose, Costa Rica) http://www.markcameronboyd.com/art-in-embassies daily 0.75 2022-08-17 http://www.markcameronboyd.com/contact daily 0.75 2013-09-09 http://www.markcameronboyd.com/about daily 0.75 2022-08-17 https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1533083558157-RT9PD3MT3AYT4MBESWZH/GRAVIETAR.png About I am an artist who makes participatory art to engage the public in social practice. In 2016, I was invited by the U.S. State Department’s “Art in Embassies” program to create an installation for the AIE exhibition, “Reflections on Diversity,” in San Jose, Costa Rica. I asked to collaborate with San Jose artists on the making of my textual boards and the installation was launched at the opening reception at the Ambassador’s Residence. Additionally, I conducted four social practice workshops; two for students at University of Costa Rica and National University, with further workshops at Museos de Central Bank for museum personnel, and another for local community artists, including Arte por la Paz. For a debrief on my Costa Rica experience, please visit my blog, Theory Now. ———————————————————— Mark Cameron Boyd was born in Jonesboro, Arkansas, graduating with a BA from University of Arkansas at Little Rock. Moving to Los Angeles, he first worked as an artist, co-founding an alternative art space, and later traveled to Europe with the Nina Hagen Band. He taught self-designed courses in film noir and pop culture at Art Center College of Design in Pasadena until 1993. Boyd moved to Maryland where he completed his MFA in painting at the University of Maryland in 1999. He has taught art theory, drawing, painting, 2-D design, photography for University of Maryland; film noir at Monterey Museum of Art; drawing, photography, 2-D design for Montgomery College; abstract painting and collage for The Art League in Alexandria; 2-D design and art history for Prince George’s Community College; and painting, drawing, and self-designed art theory courses, "Theory Now," "Postconceptualism" and "Art as Social Practice" for the Corcoran College of Art and Design, and George Washington University’s Columbian College of Arts and Sciences. He also served as Coordinator for Senior Studio in 2010-2011, guiding the BFA candidates’ Thesis Projects for the inaugural NEXT exhibition at the Corcoran Gallery in April 2011. Boyd’s artwork explores “text as a language for painting” by literally using his original writings as the subject of his works. Boyd’s solo exhibition, Logocentric Playground, shown at American University Museum at Katzen Arts Center in 2006, expanded his practice to participatory art, as visitors were invited to write directly upon his blackboard panel installation. In 2007, Boyd was a Janet and Walter Sondheim Prize Semi-Finalist and exhibited at Maryland Institute College of Art in Baltimore. Boyd has shown his work at the Center for the Arts Gallery at Towson University, University of Maryland’s Stamp Gallery and other commercial galleries in Washington, D.C. He has had solo shows at Catholic University of America and the Hamiltonian Gallery. In 2014, Boyd presented his curatorial exhibition, Readymade at 100, celebrating Marcel Duchamp’s readymades mounted at American University’s Museum at the Katzen Arts Center. “Since 2003, Mark Cameron Boyd has been creating paintings with words, which were initially based on his own writings. Since then he has appropriated texts from a variety of sources, including Derrida, Nana Last, Rosalind Krauss, and most recently, Thomas Aquinas. On a variety of surfaces, usually wood or wood painted to resemble a blackboard, or even glass, he writes sentences across horizontal pieces of tape laid on the surface. He then peels the tape away, leaving half of the words, and sentences floating in a field… His text bisections subvert the process and idea of language as signification. Although viewers are invited to participate in completing the words, there is always room for error and creativity. In fact, the paintings depend upon the creative input of the audience. The meanings of his statements are suspended and incomplete, left open to play and to change… His interest in semiotics, the interrelation of word and image, and the process of making meaning in art and language, falls within the tradition of conceptual art and the ‘linguistic turn’ in American art criticism and art history of the late 1970s and throughout the 1980s. However, what began as a simple transcription of random thoughts experienced during art-making has evolved into actions upon the text, in particular the text bisection, which undermine the conventional meanings of the words at same time that his writings have become more complex and theoretical meditations on the nature of art, subjectivity, and the process of signification.” Statement by Dr. Lisa Lipinski, curator of Boyd's solo show, A Postmodern Meditation on the Five Proofs of God, at Catholic University’s Salve Regina Gallery, November-December 2010. Education University of Maryland, College Park, MD Master of Fine Arts in Painting, May 1999 Art Center College of Design, Pasadena, CA Independent Study in Painting & Film, 1988-1992 Washington University, St. Louis, MO Graduate Painting Program University of Arkansas, Little Rock, AR Bachelors of Art in Fine Art Art Educator Positions Corcoran School of Art + Design (now in Columbian College of Arts and Sciences at George Washington University, Washington, DC) Associate Faculty, Adjunct Faculty and Lecturer: 2003-2014 Self-designed courses: Art as Social Practice, Theory Now, Post-Conceptualism Degree courses: Graduate Collaborative Studio, Theories of Art, Painting I, Junior Core Elective courses: Abstract Painting, Figure Drawing Maryland College of Art and Design, Silver Spring, MD Adjunct Faculty: 2001-2008 Drawing I, Drawing II, Intermediate Drawing, Advanced Drawing, Introduction to Figure Drawing, Introduction to Photography Montgomery College’s School of Art and Design, Rockville, MD Adjunct Faculty: 2003-2004 Drawing I, Design I University of Maryland and University College (UMUC), College Park, MD Adjunct Faculty and Assistant Teacher: 1999-2003 Introduction to Art Theory, Two-Dimensional Art Fundamentals, Elements of Painting, Elements of Drawing II, Painting, Special Problems in Studio Art: Color The Art League, Alexandria, VA Instructor: 2004-2009 Collage/Décollage, Abstract Painting, Figurative Abstraction Workshop, Minimalist/Post-Minimalist Painting Monterey Peninsula College, Monterey, CA Lecturer: 2000 Beginning Photography, Black & White Photography II Monterey Museum of Art, Monterey, CA Lecturer: 2000 Film Noir Series: A Walk on the Dark Side, Film Noir Primer: Hard-Boiled in the Afternoon Art Center College of Design, Pasadena, CA Lecturer on Film and Popular Culture: 1989-1993 Self-designed courses: PostModern Teenage Nervous Breakdown, PostNoir Film, Rebellion and PostWar Pop Mayhem, Crime Film, Outlaw Culture, Film Noir Canon 1941-1959, The Dark Side of PostWar Cinema Academic Office Work University of Maryland, University College; College Park, MD Admissions Assistant; 1996-1997 Yo San University of Traditional Chinese Medicine, Santa Monica, CA Director of Admissions; 1995-1996 Samra University of Oriental Medicine, Los Angeles, CA Assistant Director of Admissions: 1994-1995 Art Center College of Design, Pasadena, CA Admissions Assistant: 1987-1993 Curatorial, Scholarly and Other Experience Artist Exchange, San Jose, Costa Rica: March 2016 Under auspices of U.S. State Department “Art in Embassies” program, I collaborated with six San Jose artists in the making of my text-boards for the Reflections on Diversity exhibit, launching the exhibit with a participatory installation at the opening night reception; conducted four social practice workshops for University of Costa Rica, National University, Museos de Central Bank, Arte por la Paz and community artists. Curator, Washington, DC American University Museum at Katzen Arts Center, Readymade@100; Sept. 6–Oct. 19, 2014 Stamp Gallery, University of Maryland, The Malleable Object; Mar. 7-Apr. 8, 2011 Moderno, Washington, DC, Postconceptualism; May 1-9, 2009 Co-Chair, College Art Association Conference, Los Angeles, CA With Nana Danielle Last, University of Virginia; panel session on Accumulation; Feb. 23, 2012 Musician, Los Angeles, CA: 1978-1994 Singer/songwriter for The Brainiacs, Wayzata Band, Vocalions, Pearl Necklace, and others. Press Agent, Los Angeles/Paris/Berlin/Munich; 1983 Publicity liaison for Nina Hagen on European tour. Actor, Los Angeles, CA: 1983 Lead role in The Hollies’ music video, “Stop in the Name of Love” Writer; Los Angeles, CA; 1982-1983 Founder/editor of FUNK Magazine; freelance writing for Black Beat Magazine. Gallery Owner; Los Angeles, CA; 1980-1981 Co-founder and curator of Zero Zero Gallery, exhibiting Raymond Pettibon, Jim Shaw, Fred Tomaselli, Mary Woronov, and others. Art Preparator; St. Louis, MO; 1976 Installation of Larry Bell’s The Iceberg and Its Shadow, Washington University. Solo Shows Salve Regina Gallery, A Postmodern Meditation on the Existence of God, Catholic University of America, Washington, DC; Nov. 11–Dec. 17, 2010 Hamiltonian Gallery, Theories & Documents, Washington, DC; Feb.-Mar. 2009 Athenaeum Gallery, Song for Europe, Alexandria, VA; Aug. 16-Sept. 21, 2008 American University Museum at Katzen Arts Center, Logocentric Playground, Washington, DC; Nov. 14–Dec. 15, 2006 Galerie Ingrid Cooper, Bethesda, MD; 2002/2003/2005 Granados 2 Gallery, Abandoned Thinking, Los Angeles, CA; June 1994 Selected Group Exhibitions Maryland-National Capital Park and Planning Commission, Montpelier Arts Center, Incommunicado, Laurel, MD; April 6-May 26, 2019 U.S. State Department “Art in Embassies” exhibit, Reflections on Diversity, San Jose, Costa Rica; March 29-April 30, 2016 Center for the Arts Gallery, Medium of Exchange, Towson University, Towson, MD; July-Aug. 2011 Stamp Gallery, The Malleable Object, University of Maryland, College Park, MD; April 2011 Prada Gallery, Elements, Washington, DC; Dec. 2007-Feb. 2008 Meat Market Gallery, Performance Week, Washington, DC; January 2007 Corcoran Museum of Art, Faculty Biennial Exhibit, Washington, DC; Oct.-Nov. 2006 Greater Reston Arts Center, Text at GRACE, Reston, VA; March 31-May 5, 2006 Warehouse Gallery, SEVEN: WPA/Corcoran (Juror: F. Lennox Campello), Washington, DC; July-August 2005 Montgomery College’s School of Art and Design, Faculty and Staff Exhibition, Gudelsky Gallery, Silver Spring, MD; October-November 2004 Corcoran Museum of Art, Faculty Biennial Exhibition, Washington, DC; Aug.-Sept. 2004 Clarice Smith Performing Arts Center, Bridges: Students of David C. Driskell from the University of Maryland, 1977-1997, College Park, MD; April-May 2003 Maryland College of Art and Design, Faculty Exhibition, Silver Spring, MD; 2001/2002 University of Maryland, University College, Maryland Community Gallery; 2nd Annual Faculty and Student Exhibition, College Park, MD; March 1998 McLean Project for the Arts, Emerson Gallery, Strictly Painting II: Radical Realism(Jurors: W. C. Richardson and Annie Gawlak), McLean, VA; September 1998 Eklektikos Gallery, 2nd Annual Exhibit(Juror: Ken Oda), Washington, DC; February 1998 WPA/Projectspace, 7th Street International II, Washington, DC; November 1997 Visual Aid Gallery, Light Intentions, Los Angeles, CA; 1994 Claremont Colleges, Claremont Annual Exhibition (Juror: Donald Judd), Claremont, CA; 1979 Orange County Community Center, 62nd National Orange All California Exhibition (Juror: Henry T. Hopkins), San Bernardino, CA; 1977 Moorpark College, 6th Annual Moorpark College Exhibition (Jurors: Jud Fine and Doug Edge), Moorpark, CA; 1977 Public Collections D.C. Commission on the Arts and Humanities: Art Bank Collection and City Hall Art Collection, Wilson Building, Washington, DC Maryland Artists Collection, College Park, MD Winthrop Rockefeller Foundation, Little Rock, AR University of Arkansas, Fayetteville, AR University of Arkansas, Little Rock, AR Press Reviews Blee, John. “Campello’s Take on DC Art,” The Georgetowner; Vol. 3, No. 10; July 27, 2005; 29 Oda, Ken. “7th Street International II,” KOAN; Vol. VI, No. 3; November 1997; 18 O’Sullivan, Michael. “Art Review: Readymade@100,” Washington Post; Sept. 11, 2014 O’Sullivan, Michael. “TEXT: Reading Between the Lines,” Washington Post; April 7, 2006; 33-34 Schlatter, Elizabeth. “Strictly Painting II: Radical Realism,” Art Papers, Vol. 23, No. 1; January-February 1999; 62-63 Tuss, Katie. “Logocentric Playground at the Katzen,” Mid-Atlantic Art News blog: Watson, Amy. “Seven @ the Warehouse,” Thinking About Art blog; Aug. 2, 2005 Additional Press Latham, Aaron. “The Zero Generation,” Rolling Stone; No. 448, May 23, 1985; 24-32 Moses, Tai. “Down These Mean Streets a Man (and a Woman) Must Go,” Monterey County Weekly; June 15, 2000 Snowden, Don. Make the Music Go Bang: The Early L.A. Punk Scene, St. Martin’s Press, New York, 1997 Spitz, Marc, and Brendan Mullen. We Got the Neutron Bomb: The Untold Story of L.A. Punk, Three Rivers Press, New York, 2001 Honors and Awards Mentor for Hamiltonian Fellows, Hamiltonian-So Foundation, Washington, DC, 2008-2010 Distinguished Teaching Assistant Award, University of Maryland’s Center for Teaching Excellence, College Park, MD, 1999 Phi Kappa Phi Honor Society, University of Maryland, College Park, MD; 1999 Special Award in Drawing, 6th Annual Moorpark College Exhibition, (Jurors: Jud Fine and Doug Edge), Moorpark, CA, 1977 http://www.markcameronboyd.com/selected-artworks daily 1.0 2023-01-23 https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/fd4f0e8c-f2f8-47d6-a624-dcc882175396/D86C5E52-CF8F-4B8F-82B3-21ACB56447DE.jpeg Selected Artworks - Make it stand out Circle of love; 1999; acrylic, collage, décollage, latex on wood; H48xW48” (irregular diptych); private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/54535f5e-511b-451b-97a6-215ef02c0f94/E7264D91-004E-4288-8BDD-BC709D9BAA1A.jpeg Selected Artworks - Make it stand out Red white & blue; 1999; acrylic, décollage, latex on wood; H85xW96” (irregular diptych); private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/1635f54c-ce75-422d-955e-88d05d8e4a22/Untitled.jpg Selected Artworks - Make it stand out Untitled #11, 1999, mixed media décollage on wood, H48x65” (irregular), private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/d6d0e681-316b-46e8-adec-f308a6b31f9d/AB95E3E8-0BC8-4886-A948-46C42064F64B.jpeg Selected Artworks - Make it stand out Untitled #13 (XX); 2005; chalk, collage, Conté crayon, drywall compound, pastel on wood; H48xW62” (triptych); private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/650ed299-f9be-4e45-9667-ef554df7cf7d/3C25FFCA-998A-4E78-BE06-0B985C3F79E4.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - I can’t take you with me; 1998; acrylic, assemblage, décollage, latex on wood; H96xW47” (irregular) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/4e20f344-63a4-4309-aa7a-05e119c61518/6CD1B696-70A7-4A27-AD3D-0DDA851BEE12.jpeg Selected Artworks - Make it stand out Enter the arena (a provocation); 2004; chalk, Conté crayon, oil pastel, pencil, tape on chalkboard; H23.75xW24”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/3118ca55-933b-4f17-92ca-0819aa3dfb85/Medium+of+exchange+%28UPA%234%29.png Selected Artworks - Make it stand out [UNAVAILABLE] - Medium of exchange (UPA#4); 2011; blackboard paint, chalk, pastel on 4 MDF panels; H48xW96” https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/eb04685a-77bd-4185-b858-056713a0f5f7/2A0D2091-3794-49CA-8AE8-AFBC04C888AF.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - Untitled #12; 1998; acrylic, décollage, latex on wood; H96xW47” (irregular) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/232b1716-f32a-4477-8f28-283a2a70dc50/QV-Proof5.jpg Selected Artworks - Make it stand out [UNAVAILABLE] - Quinque viae; Proof 5; 2010; acrylic, dry erase marker on Plexiglas; H30xW30” (two pieces stacked) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/275a8a99-ef2f-4512-b5d4-afd2d7894839/Logocentric.Sign.png Selected Artworks - Make it stand out [UNAVAILABLE] - Logocentric Playground: The sign; 2006; blackboard paint; chalk, pastel, pencil on birch panel; H48xW69" https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/311eb98b-69e8-4080-9667-623d97836791/65025E13-2F47-4A8B-B20B-AA31E7E557C6.jpeg Selected Artworks - Make it stand out Putative subjectivity of art; 2004; Conté crayon, drywall compound, oil pastel, pencil on wood; H23.75xW24”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/3eeb43e3-fda9-4b0b-94a8-9e6fa6989e60/E844CBAA-02EB-4B71-B5CC-4B2AE0D8156B.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - Untitled #16; 2000; acrylic, collage, latex on canvas; H48xW48” https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/03e46c0b-9f25-4696-b1a9-6b984f27fe71/680AB0EE-19DB-4D0D-BB59-FAD1F4474FF5.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - This wasn’t built to last; 1997; acrylic, décollage, latex on masonite; H48xW48” https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/a6a78aee-35c0-4542-a1d7-db66afe718e2/SFE-Latin.jpg Selected Artworks [UNAVAILABLE] - Song for Europe: De Magistro (Latin); 2008; blackboard paint, chalk, pastel, pencil on MDF; H31xW48" (diptych) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/fa186bc4-4edb-4209-9cbf-1dacd38cf6d9/C2D2A7DD-8B07-4135-9BBD-325B0AE27225.jpeg Selected Artworks - Make it stand out Untitled #15 (Badge); 1997; acrylic, décollage, latex on wood; H48xW48”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/3bc62b3b-7e42-4201-8867-cf5402e966ff/12-2-2010_DJH_0578.jpg Selected Artworks - Make it stand out After the fact (thought revealed); 2004; chalk, pencil, tape on chalkboard mounted on wood; H24xW24”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/244a7d90-fbf6-40de-a638-c8269df32b8c/8FB15CA8-0256-4C50-8C57-8D2CFFEEECBE.jpeg Selected Artworks - Make it stand out Palace of excess leads to palace of access (for M.E.S., serial# 54129); 1998; acrylic, décollage, latex on wood; H75xW47” (irregular); private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/aab58f14-1590-4722-bf41-94f7539540ac/QV-Proof+4.jpg Selected Artworks - Make it stand out Quinque viae: The 4th proof of God; 2010; acrylic, blackboard paint, chalk, pencil on wood; H24xW48”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/f4416bd8-23a0-45d1-b676-375b400178d6/Pentagram-naked.jpg Selected Artworks - Make it stand out Pentagram (The naked purity of thought); 2006; blackboard paint, pastel, pencil on birch panels; H48xW48" (diptych) Private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/ebc89708-04fb-412e-81eb-bcb2e578cb2e/Notvalid.jpg Selected Artworks - Make it stand out Not valid (each sentence); 2004; chalk, collage, Conté crayon, drywall compound, oil pastel, pencil on wood; H23.75xW23.75”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/4a4b87eb-0dfd-4a43-a1dc-6b3515ba2a86/AA1EAFC6-18C2-48DE-AA84-87521911D1FB.jpeg Selected Artworks - Make it stand out The noisy appetite surprise; 1998; acrylic, décollage, latex on wood; H67xW48” (irregular); private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/0aa4da9f-d9bc-49f5-a4fa-e89454538eb4/writingobjectifies.jpg Selected Artworks - Make it stand out Writing objectifies (thought remains); 2004; chalk, Conté crayon, oil pastel, pencil on chalkboard; H24xW23.75”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/065ae6ee-525f-4968-a0bb-70d18748c6f8/D5A22156-9998-4074-ABC8-B3E8361F7055.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - Something in the blood (yellow rose); 1997; acrylic, décollage on masonite; H48xW48” (irregular) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/59ca454f-f094-4af4-b01c-d13a8c2cca11/artremains.jpg Selected Artworks - Make it stand out Art remains (art obscures); 2004; chalk, collage, Conté crayon, drywall compound, pastel on wood; H24xW24” Artist’s collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/de089d0d-1c52-41a4-90e7-4a4f92952d93/4E274663-FE74-4868-AB11-116951405F00.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - A practice that definitively involves presence; 2007; chalk, pastel pencil on chalkboard; H31.5xW47.5” https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/bd795060-0747-42fa-87ec-fc4e53f3ed09/129E5993-46AD-41BF-886E-01A3BC6F87BE.jpeg Selected Artworks - Make it stand out The potential; 2004; chalk, collage, Conté crayon, drywall compound, pastel on wood; H48xW24”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/ae0c8a9d-81d2-4b9f-ad07-f9201164e8fd/1349C272-3129-4F98-AB19-589BA080D9AF.jpeg Selected Artworks - Make it stand out Unsolved; 2001; acrylic, décollage, latex on wood; H19xW24”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/0453ef14-6aa6-4b4b-bbfe-a2f04b610727/Harder.2003.jpeg Selected Artworks - Make it stand out Harder to visualize; 2003; collage, Conté crayon, drywall compound, oil pastel, pencil on wood; H39xW58” (irregular diptych), private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/dcc3a2a2-fb6d-41bf-a55b-fd420a355d05/Logocentric.Collection.png Selected Artworks - Make it stand out [UNAVAILABLE] - Logocentric Playground: The Collection; 2006; blackboard paint, chalk, pastel, pencil on birch panel; H48xW69" https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/80fdc5a6-30b4-45dd-a939-f3f1cc959c3d/3DD261F0-FFAC-4E46-B917-18C8AD2B1D54.jpeg Selected Artworks - Make it stand out Untitled #14; 2005; acrylic, décollage, latex on wood; H48xW60”; private collection. https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/44ff6a25-6f2b-442a-bdb1-4128f0eef0ad/SFE-French.jpg Selected Artworks - Make it stand out [UNAVAILABLE] - Song for Europe: The sign which supplements (French); 2008; chalk, pastel, pencil on chalkboard; H30.5xW86.5” (diptych) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/9a685e9f-ac81-49e4-b9a7-6104552bf110/DAA866B9-47C0-422F-ABB3-E14127398005.jpeg Selected Artworks - Make it stand out [UNAVAILABLE] - Untitled (Badge #2); acrylic, décollage, latex on wood; H48xW48” (irregular) https://images.squarespace-cdn.com/content/v1/5212a937e4b01103f3680483/e59efbe3-fa88-4445-ae1f-d0852a669ab5/thoughtscontainideas.jpg Selected Artworks - Make it stand out Thoughts contain ideas, 2004, blackboard paint, chalk, pastel on wood, H24xW24” Artist’s collection.